It's been coming to my attention more and more recently that making good work is all about running when the inspiration hits.
最近、何回も気付いて来たのは、やる気・感激するアイディアが浮かぶと動かないといけないということです。
There are enforced arbitrary deadlines set by my professors where I have to come up with new work and often I really struggle to get a new work done in time. Sometimes it just doesn't flow and I struggle with the design stage for weeks before even starting in dyeing. Sometimes you just have no creative juice whatsoever and making new work becomes a real task.
大学で勉強しているから、もちろん(残念ながら!)先生の都合により指定される作品の締め切りがあります。その締め切りまでに新しい作品を仕上がるやる気がまったくない時もあります。やる気がないと何週間もデザインや下図に手間をかけてしまって、辛いことになってしまいます。
Which is why it's so awesome when inspiration strikes and you suddenly know exactly what you want to try and make and you're actually excited about it. I've found these moments often come when I'm already in the middle of working on something else, so it's easy to just think, oh well I'll write that awesome exciting idea down and save it for the next work; for when I'm done with this. But you know, I have a notebook full of those saved-for-later ideas.
なので、ワクワクされるアイディアが出ると本当に素晴らしいことです!この「あっ!それを作りたい~!!」瞬間のほとんどは、他の作品を作る最中に起こりますね。だから、また後で作るためにノートに書いて置くのが簡単です。だけどさぁ、そういうアイディアだらけのノートがまるまる2冊があります!!
What if you just act on them as they come? Sure, it might mean you are doing multiple things at once and sure, it might mean you don't sleep properly for a weeks and sure, you might not get all that plan done BUT! I think if you don't act on that idea and start making or start doing some preparations on it, the moment is lost, the freshness of the idea is gone and most likely you'll never come back to it.
その貴重なアイディアをその場で、熱心が覚める前に何かすれば?!アイディアを実現すると、しばらく寝不足可能、仕事が二倍になる可能もあるんです。でも!すぐにその感激したことをやらないと、熱心ややる気がなくなって、アイディアの新鮮さがおちてしまって、いつかやろうと言っても結局しないでしょう!
So what spurred all this was a recent body of work: a set of hand cut decorative stencils. I was in the middle of making work for our recent exhibition (which I'll write about soon!) and had this idea to make a set of katagami stencils that depict various endangered and vulnerable parrot species. I was inspired by old
Ise stencils and I wanted to use katagami (persimmon juice strengthened stencil paper made from washi- how's that for long winded?!) in a way that Japanese people wouldn't; to do something surprising. And I had a great idea for it.
この話を考えさせたのがとくにこの型紙シリーズです。展覧会へ向けて(もうすぐその写真などもアップロードします!) 他の作品を染める最中で、絶滅危惧種のインコを描写している装飾的な型紙も彫りたかったんです。日本人が思いつかない風に型紙を生かしたかったですね。
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Some inspiration. Very delicately carved katagami stencil depicting an abacus and documents. 伊勢型紙からインスピレーション |
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Another inspiration image. This stencil uses the very fine metal punches to get these effects with dots. 細かい点々を使った型紙からインスピレーションを受けました。 |
I had the idea, I had most of the materials, I had the skills and tools,
I just had very little time. A week to be exact. It was a fight or flight moment: Do I preserve my sanity and just take it easy for a week leading up to this exhibition and display what I have already made? Or do I run, and work right up to the last minute to create this work I'm excited about and exhibit it with all my other work? I decided to run.
アイディアがあった。道具や素材のほとんどを持っていた。技術もある程度知っていた。足りないのが時間だけだった。一週間しかなかった。今のところであきらめて、もう作ってある作品を展示して余っている一週間でちょっとゆっくりと準備とかするか、
今ちょうど勢いで作ってみて他の作品と一緒に展示するか?という選択だった。作ろうとしました。
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ideas!!! at my desk at school 大学の机で。アイディアいっぱい! |
Here's some images of the work installed. I called them 'Red Listed' as these 5 birds are all on the
IUCN "Red List" of threatened species worldwide. I wanted to depict the birds as if they were fading out or being hidden. I tried various ways of showing this.完成した作品の写真です。「red listed - 消えてゆく」というタイトルをつけました。それは、この型紙の五種類のインコは
前に説明したIUCN Red Listに書いてあるインコです。鳥が無くなっている・隠されているように描写しようとしました。
最初は8枚を彫りたかった。それで、時間的には6枚しか作れないと思うようになった。で、結局5枚に力を注ぎました。大切なのは、作ってみたことだと思います。
In making these, I was able to try out some new techniques, in particular using these tiny sharp circular stamps and to challenge myself on just how detailed I could cut. These are things that will help me in making new work. I also tried a different way of displaying them by having them up on windows in the gallery space so that they were backlit. This way you could see the intricate detail and it also brought out the warm brown colour of this traditional stencil paper.These days you can get a paler more plastic-y stencil paper that is less prone to shrinkage and more water resistant but this katagami stencil paper is the real deal that has been used for hundreds of years and it really has a different feel all together.
この五枚を作るとは勉強になりました。
この小さい穴をあける「丸切り」を使ったり、どれぐらい細かく切れるかということも挑戦してみました。今からの作品にも役に立つ体験ですね。それで展示スペースの窓につけてみました。光が通ってくると細かいディテールが見えるし、型紙のあたたかい茶色が出ています。現在、一般に使われている型紙というのはもっと防水力を持っているプラチックっぽさがある洋型紙なんですが、何百年も使われているこの「渋紙」のほうが味がいいですね!
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practicing using tiny punches on modern (less expensive) stencil paper.
現代の型紙で丸切り」の練習 |
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I actually cut three layers at once, one of the traditional katagami for display, one of coloured paper as a decorative paper cut and another from modern plastic-like katagami for using to dye textiles with. Here you can see the design in ink on rice paper stuck to the stencil paper and cuttting through the whole lot. 同時に三枚も彫りましたー渋紙、洋型紙、色紙。墨で薄い和紙にデザインを描いて型紙に貼ってから全部彫っていく。 |
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cutting three stencils at once and here peeling them delicately apart 一緒に彫った三枚を丁寧に引き離している。 |
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detail of paradise parrot stencil with little house motifs 小さい家のモチーフを入れたゴクラクインコの型紙。 |
Since I made them just in time to exhibit, I was also able to receive feedback from my teachers and from the public about them. I got some good reactions and I think I even impressed the one hard-to-crack traditionalist professor who's always telling me I'm copying too much and need to find my own style.
展覧会までに作れたから、先生やお客さんの反応も聞こえました。いいコメントも貰いました。
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Stencils as installed on the windows in our exhibition at Rissei Former Elementary school in Kyoto. 今間京都にある元の小学校「立誠小学校」の教室に型紙をこういうふうに展示しました。 |
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stencils on the windows with the afternoon sun coming in 窓に貼って、陽射しが入ってくると暖かい感じですね。 |
It was nice that there was a small gardern just outside the windows so you could see real leaves through the leaf sections of the stencils too. 型紙の葉っぱの部分に、そとの実際の植物が見えて面白かった。
I've since caught up on the lost sleep and cleaned up the tornado that swept through my apartment in the week of non-housework and I want to encourage people who are making and creating to give in to the challenge and make what you want when the fancy takes you.
寝不足が直って、制作していた間に山ほどになっていた家事もできました。作って良かったと思っているので、制作している人を励したいです!作りたいものがあれば、熱心いっぱいの間で作りましょう!
Melinda, that is so inspiring, beautiful and impressive! I am curious; if the Japanese wouldn't normally choose to use shibugami for a project such as this (or did you mean for a subject such as this), would they instead use the plastic type stencil paper? I look forward to seeing the resulting pieces!
ReplyDeleteHi Kit,
DeleteThank you!
What I meant was that, at least in the case of the students and artists I see around me, they are always using 'modern day' katagami, which has that sort of plasticy finish and comes in single sheets or in a roll up to 110cm wide. The traditional shibugami that has a matte finish and retains the smell of the persimmon juice, is quite expensive in comparison and only comes in small sheets (90x50cm or so).
They use the modern version because it is cheaper, a bit easier to work with and allows big works all on the one stencil.
But that paper is sort of light brown or a yellow colour and doesn't have the same effect of warmth when backlit. Since I was only making small stencils this time I thought I'd splurge on the more expensive but more beautiful shibugami. I have to say it really is nice!
Beautiful idea: a stencil pigeon. Airy and aeriform. Good for summer!
ReplyDelete