Showing posts with label wren. Show all posts
Showing posts with label wren. Show all posts

Saturday, July 28, 2018

Weeds - Beautiful but Complicated

For about two years now, I have been making artworks that focus on the subject of "Beautiful Weeds". Taking those plants we know as roadside pests, garden over-growers or paddock infiltrators and making 'portraits' of them.

First "Beautiful Weeds" series, 2016. Blackberries and Sedges on silk. Shown at solo exhibition at the Japan Foundation Gallery, Sydney. Photo by Document Photography.

At first, this was a kind of straight-up visual fascination. Plants which I hadn't considered drawing before, let alone dyeing, were suddenly everywhere I looked. Actually, that was the clincher - realising that in trying to depict a realistic and natural Australian landscape, I was editing out many plants in order to represent just the natives - the Eucalypts and the Wattles. When I looked at the natural environment most familiar to me though, (the nature reserve at the back of our suburb), it was quickly evident that trying to depict the area without weeds would mean some serious editing. A vast majority of the intriguing plants up on that hill ARE weeds (according to lists and information compiled by our local government).

my 2017 edition of "The Beautiful Weeds of Canberra" shown in solo exhibitions in Canberra and Kyoto, October 2017. Series including Blackberry, Fennel, Yellow-Flag Iris, Salvation Jane....

















Scarlet robins love sitting on these Greater Mullein stalks.
It's a Weed. Just saying.


Blackberries, sedges, "rosehips", cootamundra wattles, plantation pines, purple-top, mullein, salvation jane...all of these co-exist on the hill with Silver wattles, Eucalypts, Native Bluebells. Not to mention Crimson Rosellas, Black Cockatoos, Scarlet Robins, Superb Fairy Wrens, Golden Whistlers...(some of which, by the way, FAVOUR perching and feeding on the plantation pine trees, cootamundra wattles and greater Mulleins...but anyway, I digress)

So this whole "Beautiful Weeds" obsession that I've had going for 2 years or more began as an attempt to render a realistic depiction of the landscape before me; a more faithful conglomerate of present species than if I were to edit the 'weeds' out and leave only the 'natives'.




Since diving into this topic, it turns out - as it always does when you dig a little deeper into anything - that I'm not the first to think weeds could actually be beautiful.
Like, I'm about 500 years late to the party.

'Large Piece of Turf' 1503 by Albrecht Dürer

Here's a beautiful close up of some ordinary grasses by Albrecht Dürer from 1503. Even in 1503, artists were recognizing the beauty of the ordinary plants at our feet.

Albrecht Dürer, 'Large Piece of Turf' 1503 (detail)

It's also been interesting to find other people out there doing cool things to do with weeds. Here's just a couple.

  • Spontaneous Urban Plants, is a research project based in New York with a website and instagram account that aims to spur discussions about the place of weeds in an urban environment and the cultural perceptions we attach to them.  
  • Diego Bonetto based in Sydney calls himself "The Weedy One" and is leading a revival of foraging and edible weeds education. His website includes a link to this great "Wild food Map" sharing information about locations of different edible species. He is also an artist and has some wonderful prints of common weed species here.

Now don't get me wrong.
This isn't to say that weeds are all great and that they don't come with a whole load of emotional and political baggage. Because they do. I acknowledge that but I am merely acting as observer, depicting the environment as I see it.

"Narrabundah Hill", katazome and yuzen on silk, 2017. On show at Solo Exhibition at Galerie h2o, Kyoto October 2017. This piece was an ode to my "local hill" with it's co-existing Cootamundra wattles, Mulleins, Blackberries, Scarlet Robins and native grasses.

Slowly, I am reading opinions of scientists and researchers who know far more than I do and learning from them.

One book I eventually made it through was "Beyond the War On Invasive Species", by Tao Orion. Whilst her book was written more for those working in environmental restoration, she had some really poignant things to say about the role of weeds and our interactions with them.

"Invasions are happening faster now than at any point in recent history, a fact that leads to a great deal of concern since invasive species appear to disrupt the "fragile balance" of nature...however, evolution is at work even in these scenarios...." pg 91
Tao notes that even though weeds can be unpredictable in a new environment, they are often favoured by local birds and insects for food or nesting habitat.

"..All organisms, including invasive species, require the participation of other organisms to ensure their survival - plants depend on pollination and seed dispersal to survive and spread, and animals need adequate food and habitat. If invasive species are spreading and thriving, then they benefit from, and are benefiting, such ecological assiciations...even the world's "worst" invasive species are being used by other organisms in their new habitats." pg 94.
This observation is seconded by Australian biologist and author Tim Low in "New Nature". Low lists different relationships between Australian native animals and foreign weeds: Lantana provides protection for fairy-wrens, bandicoots and reptiles. Red-Tailed Black Cockatoos feed on the seeds of weed 'Spiny Emex'. Muir's Corellas, a rare member of the Cockatoo family, eat another weed, Guildford grass. Low goes as far as to say "Many species now rely largely on alien tucker. If Australia's foreign contingent vanished overnight, many eco-systems would be kicked into chaos." pg 93

Low also points out that the birds or animals themselves are simply being opportunistic in their use of foreign weeds as food or habitat. "...no law of nature forces native animals to prefer their natural foods, or even to recognise them." pg 104.

I call these next images "Native Birds happily tucking into Alien Tucker"
Satin Bowerbird raiding berries off next door's ivy vine. They don't see a foreign plant, they see food! 
Crimson Rosella eating pansies outside the Legislative Assembly (silly parrot)
Sulphur Crested Cockatoos destroying, I mean eating, Cherry Blossoms in the Canberra-Nara Peace Park. 

Admittedly, the birds above aren't eating weeds exactly, they're eating non-native plants. Still, the sentiment is the same: non-native plants can serve a purpose in an eco-system too.

Back to Tao Orion, she brings the subject of weeds back to the bigger picture of how the environment is shifting, and will continue to change.
"we will not achieve anything...by continuing to eradicate these novel organisms in the vain hope that the ecosystems where they live will be the same as they were at some idealized time in the past. We are here now, on the cusp of the sixth great planetary extinction, with climate change intensifying, and the ways that we relate to the land that sustains us will become ever more central to designing our way through the challenges to come."
It reminds me of the problems faced by traditional crafts and this attempt to stem alterations to the long-held traditions when change is the only certaintyWhen we can step back from our own points of view and ego for a moment, we see that our worldviews are based on our human expectations of how something should be in order to benefit us. Not everything exists in the way that humans would like. Nature is a far more complicated and interconnected system than we can hope to exert control over.

ANYWAY!
This has become a long and winding, probably flawed, musing on weeds. I am still focusing on them in my work. I plan to expand my "Beautiful Weeds of Canberra" series into next year. You can see more on my homepage here, too.

Beautiful Weeds works on my website
I want to finish with a snatch from "The Book of Thistles" by Noelle Janaczewska. I loved this book, it's part poetry, part musings on the nature of the weed and the thistle in social history.

 "Australia's relationship with hardhead thistles digs into a series of deeper, thornier questions. About what we believe counts as responsible citizenship. About evolving notions of national identity, the siting of frontiers, and how we relate to each other across our differences. About deserving and undeserving nature. All those shades of green - Legal. Scientific. Romantic. Tragic."

Sunday, March 31, 2013

dyeing paper with natural dyes & katazome 植物染料で和紙を染める試し

Recently I had been itching to try dyeing Japanese paper (washi) with some natural dyes so I went and bought some natural dyes already in a concentrated liquid form from my favourite dye shop in Kyoto, Tanaka Nao (http://www.tanaka-nao.co.jp/).
最近の制作には化学薬品が多いと感じて、植物染料を使ってみたいと思ってきました。大好きな染料店の「田中直」で液体の状態の植物染料を幾つか買って、和紙を染めて見ました。

Although you can use these dyes as is, they apparently have poor fastness when used without a mordant or some kind of fixative. I found that using alum as a mordant made fixed the dyes well but I have also read that these dyes can be cured over a period of time when mixed with soy milk. This is something I want to try in the future (when I'm not working to such a tight deadline!)
一般は滲まないように、この染料を媒染剤(アルミや鉄など)と混ぜて使うのですが、豆乳と混ぜて染色して何週間も置いたら固定することもできるらしいです。もうちょっと時間がある時豆乳の方を使ってみたいですね!

To make things simple, I only made small postcard sized pieces, applying a binder to the paper first to give it strength before stenciling on the resist paste and dyeing with natural dyes.
今回サイズの和紙を使いました。和紙の耐水性を上げるために、コーティング剤を塗ってから糊を置きます。乾いたら、植物染料で染めました。


Japanese paper with resist paste applied (brown areas), just starting to brush on dyes
糊が乾いた状態の和紙。これから植物染料を色差しします。
染めた後、乾燥させた和紙を洗って糊を落とします。
Once the dye is dry, I just wash the paper to remove the resist paste.
The dyes I tried out this time were Walnut (dark greyish brown), Persimmon (a greenish yellow), Lac (strong pinkish red) and "Gardenia Blue" (an indigo-esque blue). I mixed these 4 together to get a surprisingly wide colour range. By watering them down, I could also achieve more subtle gradations.
今回使った植物染料はクルミ(グレーっぽい茶色)、ザクロ(黄色)、ラック(赤)とクチナシブルー(藍に似ている青)でした。この四つを混ぜたら、幅広い色が作れます。水で薄めたら、暈しもできます。

Here's some of the finished postcards. I'm really happy with how they turned out and have had very good feedback from people I have shown them too. Hopefully in the near future I can start selling these online and in Kyoto. 

完成したハガキはこの感じです。見せた人はまだ少ないけれども、反応がよくて、近いうちに京都やインタネットで販売ができればいいだろうと思っています。


Musk Lorikeet and Eucalypts ユーカリとジャコウインコ
Eucalyptus blossoms and gumnuts ユーカリの実と花
Superb Fairy Wren & Royal Bluebell ルリオーストラリアムシクイとブルーベル
On this one I attempted to use colours true to the real thing
ここで現物の色を使って見ました。
Superb Fairy Wren &Royal Bluebell ルリオーストラリアムシクイとブルーベル
Here I used simpler colours which aren't true colours but it gives it a more designy feel perhaps
今回はシンプルな色を使って、もっとデザイン的になったのだろう?
This is just the start of my experimentation with natural dyes and Japanese paper and I'm hoping to try much more in the coming year. Stay tuned for the next adventure!
このハガキはただ植物染料と和紙を使う出発点だと思っています。これからも色々を試していきたいと思いますので、また載せますね!

Thursday, December 23, 2010

Bags!!

Check out some images of purses I made recently for the Raglan Gallery in Cooma. They are all Katazome dyed 100% Silk and use purse frame closures. Lots of fun and I'm pretty happy with how they turned out.







Wednesday, December 8, 2010

Wrens and Wattle 鷦鷯とワットル

Some pieces I've dyed lately.

different coloured silks

wren design on blue linen
 
the full repeat of this design. (I originally designed this to repeat lengthways)

Sunday, October 31, 2010

Serizawa Inspired 「めの字」

This is a katazome piece I produced last weekend during my workshop at Megalo. It was inspired by the work of Serizawa Keisuke, where he portrays single Chinese characters. See the following as an example, where he has portrayed the Chinese characters for each of the seasons, 春Spring, 夏Summer,冬Winter&秋Autumn.
All from 1954, katazome dyed 'tsumugi' silk.
He has also cleverly embellished each one with flowers, birds or animals that are associated with those seasons. I also really love the colours he's used.

For my version, I chose to use a simple hiragana character insetad, め "me" which is just the alphabetic symbol for the sound 'me'. I chose this to represent my name and added my own little embellishment in the way of a superb fairy wren.

めの字 2010 Katazome dyed linen.

Detail of my superb wren.
 More pictures to follow of the workshop...

Thursday, September 30, 2010

Dyeing Sample やっと染めた!

Finally got around to dyeing my sample piece I showed in an earlier post.
Here's some pictures from the process
My setup in the laundry
Using a brush to apply the first layer of dye
Getting darker after a second application of dye
the back, you can see the dye starting to crisply fill in the spaces between the resist paste
Applying a (nasty) chemical to the front side of the piece to fix the dye to the fabric
All wrapped up in plastic & airtight to let the chemical do its thing for 2 hours
TaDa!
The dyes came out a bit brighter than I would have liked but hey, that's why you do samples!

Monday, August 16, 2010

久しぶりに型染をやった!Katazome - Applying Resist Paste

Last week I finally got all the ingredients and supplies ready to start doing a bit of Katazome again. Yay! I made the resist paste and after refrigerating it overnight, had a go at printing a small piece.
The set-up in the backyard.
With my stencil taped down on top of the fabric, here I am starting to squeegee on the resist paste
Pasting
Finishing, making sure all the gaps are covered and the paste is even

The big reveal! removing the stencil carefully.
Filling in a gap (called a 'bridge') with paste and my fingers.
 After that, I stretched the fabric over an old canvas frame to dry. Next step...dyeing!

Sunday, January 24, 2010

Birds



In my katazome work I have been interested in using Australian birds and flora.


So I was really surprised when I found a few paintings by Itō Jakuchū incorporating what look like cockatoos and eclectus parrots! (http://www.birdsaustralia.com.au/education-resources/eclectus-parrot.html)
These are part of a painting tradition in Japan called kachoga 花鳥画, meaning flower and bird paintings.

I’ve also seen some kimono from Japan which feature exotic looking parrots like Cockatoos.


Even more exciting to come across was this katazome piece by famous Japanese dyer Inagaki Toshijirō. (National Treasure, b. 1902 Kyoto ~ 1963)










Seems that exotic birds have long been present in Japanese art and textiles. Its nice to think I am continuing in this tradition.